Tanzpakt Dresden

TANZPAKT Dresden was a joint project of Villa Wigman e.V. and HELLERAU - European Center for the Arts

HELLERAU – Europäisches Zentrum der Künste - Karl-Liebknecht-Str. 56 - 01109 Dresden - info@hellerau.orgtanzpakt-dresden.de
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\"24450127\"}--\u003e"},{"rte":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Choreographer and performance maker Claire Cunningham shares their thinking around issues of care and responsibility in performance; extending from the care of collaborators and material, to questions of place and most importantly, of audience. Cunningham shares how their own lived experience of disability alongside learning from Disabled, Crip and Queer communities creates a deep-seated sense of responsibility to the audience, and explains how this manifests in their processes and productions.","type":"text"}]},{"type":"paragraph","content":[{"text":"Cunningham will share their thoughts on the subject for the first half of the session, opening up the session to a group discussion in the second half. The session will consider questions such as:","type":"text"}]},{"type":"bullet_list","content":[{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"How might we hold respect for the work of being an audience member?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"How do we, as makers, examine the time, energy, work and trust that the role of audience member demands? (Before, during and after our performances)","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"How do we value and consider well in advance the presence of our audience in the making of a work?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"How do we ensure an audience’s presence is not taken for granted?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"Who are we projecting as our audience and who is absent in this imagining? Why?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"How do we hold responsibility for our audience’s experience, safety and agency?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"Where is the line between maker and venue?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"Is responsibility for audience perhaps a new consideration for many makers because of the pandemic?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"How might we learn from and recognise those already practiced in these strategies pre-pandemic?","type":"text"}]}]},{"type":"list_item","content":[{"type":"paragraph","content":[{"text":"How can a practice of care and responsibility be understood not as necessitating a compromise in artistic quality or risk taking, but rather an approach requiring more imagination and a widening of potential for a work?","type":"text"}]}]}]}]},"_uid":"3da9d899-5313-4a4e-9de7-865b0ab26121","component":"section_textarea","_editable":"\u003c!--#storyblok#{\"name\": \"section_textarea\", \"space\": \"94107\", \"uid\": \"3da9d899-5313-4a4e-9de7-865b0ab26121\", \"id\": \"24450127\"}--\u003e"},{"_uid":"938f74fa-0bf9-46cd-a940-451a6925366d","component":"section_blockquote","blockquote":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"19 - 21 July 2021, 16:00 - 18:00, online","type":"text"},{"type":"hard_break"},{"text":"Workshop with River Lin: \"Choreographing Your Webcam\"","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"section_blockquote\", \"space\": \"94107\", \"uid\": \"938f74fa-0bf9-46cd-a940-451a6925366d\", \"id\": \"24450127\"}--\u003e"},{"_uid":"ffa9b506-9664-42be-8dd4-9319fcea1765","component":"section_slideshow","slideshow":[{"id":2514308,"alt":"Zoom window with four screens, each screen showing different colors, objects and patterns","name":"","focus":null,"title":"","filename":"/cdn/a/f/94107/2842x1614/ac77acdca1/river_lin_choreographing_your_webcam.png","copyright":"River Lin"},{"id":2514312,"alt":"Profile of River Lin wearing glasses and smiling","name":"","focus":null,"title":"","filename":"/cdn/a/f/94107/800x1200/b6b43895a5/riverlin2016_chenyouwei.jpg","copyright":"River Lin"}],"_editable":"\u003c!--#storyblok#{\"name\": \"section_slideshow\", \"space\": \"94107\", \"uid\": \"ffa9b506-9664-42be-8dd4-9319fcea1765\", \"id\": \"24450127\"}--\u003e"},{"rte":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Expanding notions of performing objects and performing for the camera, and the Japanese post-war art collective Gutai's practice of performance art, this workshop Choreographing your webcam invites performance, dance and visual art makers to test possibilities of webcam and screen performance in the context of digital culture. The workshop consists of three sessions including lecture, discussion, and practice. Get your laptop and let's play. ","type":"text"}]},{"type":"paragraph","content":[{"text":"River Lin is a Paris-based Taiwanese artist working across the contexts of visual art, performance, and dance. Through staging situations, choreography, and participation in gallery settings, River examines notions of historical representation, queer culture, and expanded choreography. His work has been presented by the Centre Pompidou, Palais de Tokyo, Centre National de la Danse (Paris), ANTI Contemporary Art Festival (Kuopio), KANAL Centre Pompidou (Brussels), M+ Museum (Hong Kong), Rockbund Art Museum (Shanghai), Liveworks Festival (Sydney) and 2016 Taipei Biennial among others.","type":"text"}]},{"type":"paragraph"}]},"_uid":"423749eb-9fa6-43fe-97f4-a5b38c44b64c","component":"section_textarea","_editable":"\u003c!--#storyblok#{\"name\": \"section_textarea\", \"space\": \"94107\", \"uid\": \"423749eb-9fa6-43fe-97f4-a5b38c44b64c\", \"id\": \"24450127\"}--\u003e"},{"_uid":"c1962766-3598-479d-9a60-d69727297777","component":"section_blockquote","blockquote":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"18 - 21 January 2021, online","type":"text"},{"type":"hard_break"},{"text":"Academy","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"section_blockquote\", \"space\": \"94107\", \"uid\": \"c1962766-3598-479d-9a60-d69727297777\", \"id\": \"24450127\"}--\u003e"},{"rte":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"The scientific-artistic Academy for and with regional dance artists and international guests forms the center of the two-year program TANZPAKT Dresden. It offers time and space to reflect on the current situation of the independent dance scene and to discuss the future of its artistic work.","type":"text"}]},{"type":"paragraph","content":[{"text":"How do we work? How do we want to work? What do we need for artistic work?","type":"text"}]},{"type":"paragraph","content":[{"text":"In addition to talks and discussions with artists from the regional scene and international guests, we are launching a series of workshops with international artists, in which they will present their work and working methods. We will start with online formats by Jule Flierl, Eva Meyer-Keller and Sebastian Matthias. Later in the year they will be followed by events with Claire Cunningham and River Lin.","type":"text"}]}]},"_uid":"10de107f-159c-4d7e-b66d-ee26db61f43b","component":"section_textarea","_editable":"\u003c!--#storyblok#{\"name\": \"section_textarea\", \"space\": \"94107\", \"uid\": \"10de107f-159c-4d7e-b66d-ee26db61f43b\", \"id\": \"24450127\"}--\u003e"},{"_uid":"c02f963e-7c63-44d9-8735-0f696336ff3a","component":"section_program","program_content":[{"_uid":"f71b0c96-bdae-4431-9513-11da2a4ca1f7","component":"program_day","program_day_content":[{"_uid":"6d89875c-232d-43df-9b12-a70a897f4e69","component":"program_item","program_item_time":"18:00","program_item_title":"Welcome \u0026 Warm-Up","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"After a warm welcome by TANZPAKT Dresden, VILLA WIGMAN and HELLERAU, ","type":"text"},{"text":"Rosalind","type":"text","marks":[{"type":"link","attrs":{"href":"/en/artists/rosalind-masson","uuid":"5751180f-e753-44a9-9796-df0398f857b0","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":" will offer a gentle warm-up to open up the body and attune the senses. Beginning with breath work to create space in the body/mind before moving on to gentle stretches and movements influenced by her practice of Qi Gong, this 30 minute session will leave you refreshed and ready to dive into the TANZPAKT Dresden Academy. Please wear comfortable clothes, a yoga mat/and or blanket is recommended but not necessary, and enough space to lie on the floor. Please notify Rosalind if there are any special physical needs.","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"6d89875c-232d-43df-9b12-a70a897f4e69\", \"id\": \"24450127\"}--\u003e"},{"_uid":"c3a36336-89a9-4ecb-b843-d7a0d5662384","component":"program_item","program_item_time":"19:00","program_item_title":"Opening Thoughts: Regina Rossi","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"\"Opening Thoughts on Art, Work, Money and Other Stuff\"","type":"text"},{"type":"hard_break","marks":[{"type":"italic"}]},{"type":"hard_break","marks":[{"type":"italic"}]},{"text":"Between networks, funding, (art) market (constraints), applications, public relations, festivals and venue confirmations, but also, for example, voluntarism and political commitment, artists move and produce nowadays. Under the pressure of time for the next deadline, there is usually no time for reflecting on one's own modes of production, for wishing for and imagining new structuring possibilities and working strategies.","type":"text"}]},{"type":"paragraph","content":[{"text":"On the other hand, the Sars-Cov-2 pandemic highlights many weaknesses of the system. Other solutions are more than necessary. Only, how can new solutions be designed that distance themselves from the primacy of technocracy, corporate ideology, quantity ideology, and neoliberal structures of leadership and organization? Is that even possible? And desired?","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Regina Rossi","type":"text","marks":[{"type":"italic"}]},{"text":" was born and raised in Brazil. She studied theater, choreography and performance studies in Porto Alegre, Amsterdam and Hamburg. She is currently doing her PhD with Prof. Bojana Kunst (Applied Theater Studies, JLU Giessen) on the topic of \"Artistic Ways of Working and Strategies as the Art of Instituted.\" Rossi has been living in Hamburg since 2009 and produces her own work mainly at Kampnagel, which is shown throughout Germany.","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"c3a36336-89a9-4ecb-b843-d7a0d5662384\", \"id\": \"24450127\"}--\u003e"},{"_uid":"dc5586ee-1f68-429f-8e8e-2f325bd0d761","component":"program_item","program_item_time":"20:30","program_item_title":"Open Space: Irina Pauls \u0026 Matthias Zielfeld","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Irina Pauls (","type":"text"},{"text":"Artist in Residence of TANZPAKT Dresden","type":"text","marks":[{"type":"link","attrs":{"href":"/en/artists/irina-pauls","uuid":"97ffdd87-9e59-42c9-9d68-1462c8dcfd96","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":") and Matthias Zielfeld present the first results of their ","type":"text"},{"text":"research residency","type":"text","marks":[{"type":"link","attrs":{"href":"/en/residencies/human-machine-interaction","uuid":"d319552d-629f-4060-b4b4-544aead51392","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":" and work on their new production ","type":"text"},{"text":"CORPORA","type":"text","marks":[{"type":"link","attrs":{"href":"/en/coproductions/corpora","uuid":"8b947ef0-8520-41cc-a377-5a8180cbb616","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":".","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"dc5586ee-1f68-429f-8e8e-2f325bd0d761\", \"id\": \"24450127\"}--\u003e"}],"program_day_headline":"Monday, 18.01.2021","_editable":"\u003c!--#storyblok#{\"name\": \"program_day\", \"space\": \"94107\", \"uid\": \"f71b0c96-bdae-4431-9513-11da2a4ca1f7\", \"id\": \"24450127\"}--\u003e"},{"_uid":"25c8717d-bc5b-4d48-88a0-209df8642ce0","component":"program_day","program_day_content":[{"_uid":"d37d86ad-9e93-4fa3-9c34-51911a7ad59d","component":"program_item","program_item_time":"10:00","program_item_title":"Workshop: Jule Flierl","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"\"TonTanz - Practice and Theory\"","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"What’s useful about the voice for dance-makers? Whats dance about the voice?","type":"text"}]},{"type":"paragraph","content":[{"text":"Alternating exercise, exchange and lecture, this workshop will explore the gap between image and sound of bodies. Jule Flierl introduces the genre TonTanz, which was conceptualized by Valeska Gert in the 1920’s; talks about her research on the history of the dancers’ voice in stage dance and raises questions around the authenticity of vocality. ","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Jule Flierl","type":"text","marks":[{"type":"italic"}]},{"text":" is a dance and voice artist from Berlin/Germany. She develops practices that conceive of the voice as a dancer, translating dance into the auditory realm. Her practice lives between experimental choreography and somatic singing methods, in which she develops scores to unsettle the relationship between seeing and hearing. She revives and continues the legacy of Valeska Gert, avant-garde dancer from 1920's Berlin, who first conceptualized the term SoundDance: to dance with one's voice. She hosts the voice performance series FROM BREATH TO MATTER in Berlin.","type":"text"}]},{"type":"paragraph","content":[{"text":"Jule Flierl's work was featured at Tanzplattform Munich 2020, Steirischer Herbst Graz 2019, Legs/La Raffinerie Brussels and Rencontres Chorégraphiques Paris 2018, La Panacée Montpellier 2016 amongst others. ","type":"text"}]},{"type":"paragraph","content":[{"text":"Currently she collaborates in different formats with fine artist Anna Zett, performance artist Antonia Baehr and SoundDance artist Irena Z. Tomazin.","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"d37d86ad-9e93-4fa3-9c34-51911a7ad59d\", \"id\": \"24450127\"}--\u003e"},{"_uid":"b8e48e57-3578-44f3-b652-214eb889ff31","component":"program_item","program_item_time":"19:00","program_item_title":"Panel Discussion: Body Politics in Dance Production","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"In the frame of the TANZPAKT Dresden Academy, we invited the artists ","type":"text"},{"text":"Claire Cunningham","type":"text","marks":[{"type":"link","attrs":{"href":"http://www.clairecunningham.co.uk/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":", ","type":"text"},{"text":"Jule Flierl","type":"text","marks":[{"type":"link","attrs":{"href":"https://juleflierl.weebly.com/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":", ","type":"text"},{"text":"River Lin","type":"text","marks":[{"type":"link","attrs":{"href":"https://riverlin.art/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":" \u0026 ","type":"text"},{"text":"Joana Tischkau","type":"text","marks":[{"type":"link","attrs":{"href":"https://joanadances.tumblr.com/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":" to share their research and artistic working methods with dance professionals from our regional independent scene. These workshops will be taking place throughout the year 2021.","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"In this online conversation with curator and dramaturge ","type":"text"},{"text":"Sandra Noeth","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.udk-berlin.de/en/people/detail/person/show/sandra-noeth/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":", the artists will give a glimpse into their working methods with a focus on body politics that might emerge in and influence their artistic processes on various levels.","type":"text"},{"type":"hard_break"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"b8e48e57-3578-44f3-b652-214eb889ff31\", \"id\": \"24450127\"}--\u003e"},{"_uid":"91652349-835d-4a30-8f98-7d0b52d5ad29","component":"program_item","program_item_time":"20:30","program_item_title":"Open Space: Katja Erfurth","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Katja Erfurth (","type":"text"},{"text":"Artist in Residence of TANZPAKT Dresden","type":"text","marks":[{"type":"link","attrs":{"href":"/en/artists/katja-erfurth","uuid":"0d8b21bc-e017-423d-9fc9-c73a22dbcc04","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":") gives an insight into her work in the context of her research on sign language. The results of her residency will flow into her new production ","type":"text"},{"text":"Kassandra | Zunge: reißen","type":"text","marks":[{"type":"link","attrs":{"href":"/en/coproductions/kassandra","uuid":"43c08e8a-ab31-4e21-82fa-a29edfb01152","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":".","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"91652349-835d-4a30-8f98-7d0b52d5ad29\", \"id\": \"24450127\"}--\u003e"}],"program_day_headline":"Tuesday, 19.01.2021","_editable":"\u003c!--#storyblok#{\"name\": \"program_day\", \"space\": \"94107\", \"uid\": \"25c8717d-bc5b-4d48-88a0-209df8642ce0\", \"id\": \"24450127\"}--\u003e"},{"_uid":"90757be8-8ae1-4d1b-863f-ce9f28dd93a6","component":"program_day","program_day_content":[{"_uid":"f5610b03-dcce-47c4-a558-003ffb4904a8","component":"program_item","program_item_time":"10:00","program_item_title":"Workshop: Sebastian Matthias","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"\"One thumbed bandit – Participatory Art Based Research on TikTok\"","type":"text"},{"type":"hard_break","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"TikTok is a rapidly growing community of immense size that uses dance and other performative practices as its medium. To understand some of the transformations that occur within the receptions of dance, I would like to propose a workshop that shortly inquires on the social media app using Participatory Art Based Research (PABR) methods. Through using the formats of PABR, I try to present our Hamburg approach to artistic research and at the same time investigate how the app formats the user’s perception through its design. Starting from the key element of scrolling, we collectively try to find artistic approaches to react to the proposed designs on TikTok. Scrolling on TikTok shows interesting similarities to the design of old-fashioned gambling machines that are sometimes called “one armed bandits”. How does the “one thumbed bandit” work? How can its function be revealed through choreographic means?","type":"text"}]},{"type":"paragraph","content":[{"text":"I am not a TikTok content producer myself, but invite workshop participants to look at the platform collectively with our different choreographic knowledges and approaches. With this proposal I try to offer a workshop that doesn’t have to digitally mediate my choreographic practices from the studio to a Zoom situation, but works on material that is digitally in its nature.","type":"text"},{"type":"hard_break","marks":[{"type":"italic"}]},{"type":"hard_break","marks":[{"type":"italic"}]},{"text":"Sebastian Matthias","type":"text","marks":[{"type":"italic"}]},{"text":" is a choreographer and dance scholar. Since May 2019 he has been a post-doc researcher in the research project \"Participatory Art Based Research\" at HafenCity Universität Hamburg in collaboration with K3 | Tanzplan Hamburg. In addition, he momentarily works until 2021 with the support of the German Federal Cultural Foundation with the Bürgerbühne Staatsschauspiel Dresden and with Theater Basel. He studied dance at the Juilliard School in New York and dance studies at the Freie Universität Berlin. As an associated artist at K3, he developed his artistic scientific research practice and received his doctorate degree in 2018 as part of the Graduate Program Assembly and Participation at the HafenCity Universität. His dissertation project was published in 2018 under the title “Gefühlter Groove – Kollektivität zwischen Dancefloor und Bühne”. In his choreographic work he deals with modular improvisation systems that he develops collectively with the dancers.","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"f5610b03-dcce-47c4-a558-003ffb4904a8\", \"id\": \"24450127\"}--\u003e"},{"_uid":"7d1b76d6-39f8-4b29-8ef7-19052e46413b","component":"program_item","program_item_time":"10:30","program_item_title":"Workshop: Eva Meyer-Keller","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"\"Hands On\"","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Experimenting, associating, tinkering, listening, composing, embodying, describing and staging, that's what the day will be about. Together with you, I will dive into my way of working, in which objects that are just lying around become tools to stage a short performance. My aim is to work spontaneously and intuitively with different materials and media and to encourage the participants to trust in the intelligence that lies in doing. After the doing we will look at the short performances staged for the camera and describe what we have seen.","type":"text"},{"type":"hard_break","marks":[{"type":"italic"}]},{"type":"hard_break","marks":[{"type":"italic"}]},{"text":"Eva Meyer-Keller","type":"text","marks":[{"type":"italic"}]},{"text":" works at the intersection of performing and visual arts from an attitude of constructive disregard for genre boundaries. In addition to human bodies, everyday objects perform in her works - things she finds at home, in the supermarket, or in the hobby cellar. This choreographed tinkering unfolds an obsessive domestic aesthetic.","type":"text"}]},{"type":"paragraph","content":[{"text":"Meyer-Keller's projects are often created in collaboration with other artists including Uta Eisenreich, Sybille Müller, and Kate McIntosh.","type":"text"}]},{"type":"paragraph","content":[{"text":"In 2018-2019, she became the first choreographer to receive the Danish research grant RESA - Residency for Exchange and Sustainability in the Arts.","type":"text"}]},{"type":"paragraph","content":[{"text":"Currently, since 2017, she has been creating a trilogy in engagement with models, processes and concepts from the natural sciences (SOME SIGNIFICANCE, 2017; LIVING MATTERS, 2019). In addition, the unfoldable artist book LM:M-M-A-E with Ilya Noé as co-author will be published in 3 editions and 7 parts. Meyer-Keller's numerous own works include the performances DEATH IS CERTAIN (2002, performed to date at more than 200 venues worldwide), PULLING STRINGS (2013, KunstenFestivaldesArts Brussels), the installations VOLKSBALLONS (2004, Palace of the Republic) and HANDMADE (2009, Palais de Tokyo Paris). She has participated in projects by Baktruppen, Jérôme Bel, Juan Dominguez, Christine De Smedt / les Ballets C de la B.","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"7d1b76d6-39f8-4b29-8ef7-19052e46413b\", \"id\": \"24450127\"}--\u003e"},{"_uid":"294ca7b2-1b01-4137-8ca5-0f520c6214c7","component":"program_item","program_item_time":"19:00","program_item_title":"Panel Discussion: Questions of Medium \u0026 Form in Dance Production","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"In the frame of the TANZPAKT Dresden Academy, we invited the artists ","type":"text","marks":[{"type":"styled","attrs":{"class":""}}]},{"text":" ","type":"text"},{"text":"Willi Dorner","type":"text","marks":[{"type":"link","attrs":{"href":"http://www.ciewdorner.at/index.php?page=start","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":", ","type":"text"},{"text":"Sebastian Matthias","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.sebastianmatthias.com/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":", ","type":"text"},{"text":"Kate McIntosh","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.spinspin.be/artists/kate-mcintosh/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":" \u0026 ","type":"text"},{"text":"Eva Meyer-Keller","type":"text","marks":[{"type":"link","attrs":{"href":"http://www.evamk.de/works","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":" to share their research and artistic working methods with dance professionals from our regional independent scene. These workshops will be taking place throughout the year 2021.","type":"text"}]},{"type":"paragraph","content":[{"text":"In this online format, we invite the four artists to enter into conversation through self-selected thematic focuses and thereby provide insights into their artistic work. What role do decisions about medium and form play in their respective research and creation processes? Does the respective thematic setting determine the form of their works and to what extent does the medium in turn influence the content?","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"294ca7b2-1b01-4137-8ca5-0f520c6214c7\", \"id\": \"24450127\"}--\u003e"},{"_uid":"463815ac-8c09-41d5-9164-2345edc45b9e","component":"program_item","program_item_time":"20:30","program_item_title":"Open Space: Rosalind Masson \u0026 Florence Freitag","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Rosalind Masson","type":"text","marks":[{"type":"link","attrs":{"href":"/en/artists/rosalind-masson","uuid":"5751180f-e753-44a9-9796-df0398f857b0","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":" and ","type":"text"},{"text":"Florence Freitag","type":"text","marks":[{"type":"link","attrs":{"href":"/en/artists/florence-freitag","uuid":"06abee46-4e18-46ea-ba69-cdf3c4787ccb","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":", artists in residence of TANZPAKT Dresden, present the results of their ","type":"text"},{"text":"research residency","type":"text","marks":[{"type":"link","attrs":{"href":"/en/residencies/garden-as-contradictory-utopian-space","uuid":"8d6c2c53-8458-4463-bdcb-7b14141f44ac","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":" at the Botanical Garden of TU Dresden. From the material obtained, they will now develop their new production ","type":"text"},{"text":"Occupying Eden","type":"text","marks":[{"type":"link","attrs":{"href":"/en/coproductions/occupying-eden","uuid":"f3667a5e-707e-4b06-880e-5ea7c422a544","anchor":null,"target":"_blank","linktype":"story"}}]},{"text":".","type":"text"}]},{"type":"paragraph","content":[{"text":"Rosalind \u0026 Florence would like to invite you to take a look at the zine they have created in this context before this meeting and to use headphones/headsets for the event.","type":"text"}]},{"type":"paragraph","content":[{"text":"Zine Download","type":"text","marks":[{"type":"link","attrs":{"href":"https://static.hellerau.org/wp-content/uploads/gardenzine_freitagmasson_compressed.pdf","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"463815ac-8c09-41d5-9164-2345edc45b9e\", \"id\": \"24450127\"}--\u003e"}],"program_day_headline":"Wednesday, 20.01.2021","_editable":"\u003c!--#storyblok#{\"name\": \"program_day\", \"space\": \"94107\", \"uid\": \"90757be8-8ae1-4d1b-863f-ce9f28dd93a6\", \"id\": \"24450127\"}--\u003e"},{"_uid":"8f95b12e-5316-42cc-86f9-d59c7c564ac3","component":"program_day","program_day_content":[{"_uid":"5babf167-9ac7-48f0-bc26-5e4e1441da1d","component":"program_item","program_item_time":"10:00","program_item_title":"Discussion: Research Residencies","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Together with the artists in residence of TANZPAKT Dresden we want to talk about the format of research residencies.","type":"text"}]},{"type":"paragraph","content":[{"text":"What are the advantages and disadvantages of the format? What experiences and lessons have we learned from the residencies so far? What else could the format be?","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"5babf167-9ac7-48f0-bc26-5e4e1441da1d\", \"id\": \"24450127\"}--\u003e"},{"_uid":"aa3611a6-f6bc-461b-95df-a03868791f6a","component":"program_item","program_item_time":"12:00","program_item_title":"Discussion: What Comes After TANZPAKT Dresden?","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"We want to get into conversation with you and ask: What does the Saxon dance scene need?","type":"text"},{"type":"hard_break"},{"text":"What research, work or production formats are needed?","type":"text"},{"type":"hard_break"},{"text":"What is going well and what is missing?","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"program_item\", \"space\": \"94107\", \"uid\": \"aa3611a6-f6bc-461b-95df-a03868791f6a\", \"id\": \"24450127\"}--\u003e"}],"program_day_headline":"Thursday, 21.01.2021","_editable":"\u003c!--#storyblok#{\"name\": \"program_day\", \"space\": \"94107\", \"uid\": \"8f95b12e-5316-42cc-86f9-d59c7c564ac3\", \"id\": \"24450127\"}--\u003e"}],"program_headline":"Programme","_editable":"\u003c!--#storyblok#{\"name\": \"section_program\", \"space\": \"94107\", \"uid\": \"c02f963e-7c63-44d9-8735-0f696336ff3a\", \"id\": \"24450127\"}--\u003e"}],"component":"page","sub_title":"","meta_title":"Akademie","references":[],"preview_image":{"id":null,"alt":null,"name":"","focus":null,"title":null,"filename":"","copyright":null,"fieldtype":"asset"},"meta_description":"TANZPAKT Dresden Akademie / TANZPAKT Dresden Academy","_editable":"\u003c!--#storyblok#{\"name\": \"page\", \"space\": \"94107\", \"uid\": \"5ff9c04b-9eaf-4735-bbf6-c8a97fc1f672\", \"id\": 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The starting point for the productions were ","type":"text"},{"text":"research residencies","type":"text","marks":[{"type":"link","attrs":{"href":"/en/list/residencies","uuid":"3ad7a8b3-a78f-4e5f-b6b0-d67d12d08d77","anchor":null,"target":"_self","linktype":"story"}}]},{"text":" in different areas and institutions of social life. These were the starting points for the conceptions and ","type":"text"},{"text":"artistic projects","type":"text","marks":[{"type":"link","attrs":{"href":"/en/list/coproductions","uuid":"96375cba-9ee3-466a-b4d3-9d59e221ee1a","anchor":null,"target":"_self","linktype":"story"}}]},{"text":" that could be experienced as part of the festival \"Dancing About\" at HELLERAU - European Center for the Arts and at Villa Wigman. In addition, there were Open Studios with further artists, an ","type":"text"},{"text":"EDN Atelier","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.ednetwork.eu/activities/dresden-atelier","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":", discussions, parties and workshops.","type":"text"}]}]},"_uid":"38160b53-62bf-4142-ba82-929634b1426d","component":"section_textarea","_editable":"\u003c!--#storyblok#{\"name\": \"section_textarea\", \"space\": \"94107\", \"uid\": \"38160b53-62bf-4142-ba82-929634b1426d\", \"id\": \"25759888\"}--\u003e"}],"component":"page","sub_title":"22 September – 3 October 2021","meta_title":"Dancing About","references":[],"preview_image":{"id":null,"alt":null,"name":"","focus":null,"title":null,"filename":"","copyright":null,"fieldtype":"asset"},"meta_description":"TANZPAKT Dresden Dancing About / Festival / 22.09.-03.10.2021","_editable":"\u003c!--#storyblok#{\"name\": \"page\", \"space\": \"94107\", \"uid\": \"ad956070-9d51-4604-9c1d-6272f41c80a0\", \"id\": \"25759888\"}--\u003e"},"slug":"festival","full_slug":"en/festival","default_full_slug":null,"sort_by_date":null,"position":70,"tag_list":["defaultPage"],"is_startpage":false,"parent_id":0,"meta_data":null,"group_id":"79fad68e-a5c2-4af5-acdd-ba49aeca4d70","first_published_at":null,"release_id":null,"lang":"en","path":null,"translated_slugs":[]}},"navigation_item_title":"Festival","_editable":"\u003c!--#storyblok#{\"name\": \"settings_navigation_item\", \"space\": \"94107\", \"uid\": \"fe83ada4-218a-4b9c-94b1-95fd942a52e6\", \"id\": \"22179064\"}--\u003e"},{"_uid":"4c4249dc-f617-443c-afa5-21821dcfc207","component":"settings_navigation_item","navigation_item_link":{"id":"e415f93c-d1e5-44bf-bdf0-80186c50ab40","url":"","linktype":"story","fieldtype":"multilink","cached_url":"/en/about","prep":true,"story":{"name":"About","created_at":"2020-10-13T20:11:51.511Z","published_at":"2020-11-09T20:55:37.646Z","alternates":[],"id":23752894,"uuid":"e415f93c-d1e5-44bf-bdf0-80186c50ab40","content":{"_uid":"afcd03a7-38ca-4582-a688-aa30f9ebd70f","title":"VILLA WIGMAN + HELLERAU = TANZPAKT Dresden","sections":[{"_uid":"8f2020d8-f249-4f31-bcd4-9ed1013a4102","component":"section_blockquote","blockquote":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"From 2019 until 2021, TANZPAKT Dresden pursued the goal of fundamentally strengthening the local and regional independent dance scene. This primarily involved the realization of two measures which, in interaction, focussed on the development of structures that had a national impact:","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"section_blockquote\", \"space\": \"94107\", \"uid\": \"8f2020d8-f249-4f31-bcd4-9ed1013a4102\", \"id\": \"23752894\"}--\u003e"},{"rte":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"On the one hand, concrete construction investments were being made to secure and commission the former home of Mary Wigman as rehearsal and experimentation space ","type":"text"},{"text":"VILLA WIGMAN","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.villa-wigman.de/cms/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":". The centre is run independently by the Villa Wigman for TANZ association, which emerged from the dance scene, and offers unique conditions nationwide.","type":"text"}]},{"type":"paragraph","content":[{"text":"On the other hand, together with ","type":"text"},{"text":"HELLERAU","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.hellerau.org/de/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":", a comprehensive residency and production programme was set up with partner institutions from all areas of social life. Equipped with funds for artistic research as well as for production, high-quality productions of Saxony’s independent scene were developed for presentation in HELLERAU. The resulting stage ","type":"text"},{"text":"productions","type":"text","marks":[{"type":"link","attrs":{"href":"/en/list/coproductions","uuid":"96375cba-9ee3-466a-b4d3-9d59e221ee1a","anchor":null,"target":"_self","linktype":"story"}}]},{"text":" were then presented in the festival ","type":"text"},{"text":"Dancing About","type":"text","marks":[{"type":"link","attrs":{"href":"/en/festival","uuid":"6067203c-4931-4fb4-9199-5a1c052c017b","anchor":null,"target":"_self","linktype":"story"}},{"type":"italic"}]},{"text":" from 22 September to 3 October 2021. A scientific-artistic ","type":"text"},{"text":"academy","type":"text","marks":[{"type":"link","attrs":{"href":"https://tanzpakt-dresden.de/akademie","uuid":null,"anchor":null,"target":"_self","linktype":"url"}}]},{"text":" in January 2021 with regional dancers and international guests formed the center of the two-year programme, giving time and space to reflect the current situation and to discuss the future of artisitic work.","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Impressions of the residency showings in late-summer 2020","type":"text"}]}]},"_uid":"4e42a895-5f0e-45c7-83f3-36e045f65ea9","component":"section_textarea","_editable":"\u003c!--#storyblok#{\"name\": \"section_textarea\", \"space\": \"94107\", \"uid\": \"4e42a895-5f0e-45c7-83f3-36e045f65ea9\", \"id\": \"23752894\"}--\u003e"},{"_uid":"a121cfef-8002-4b64-b56d-6f33f837ca0a","iframe":"\u003ciframe width=\"560\" height=\"315\" src=\"https://www.youtube-nocookie.com/embed/a7kEnX39H-w\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c/iframe\u003e","component":"section_iframe","_editable":"\u003c!--#storyblok#{\"name\": \"section_iframe\", \"space\": \"94107\", \"uid\": \"a121cfef-8002-4b64-b56d-6f33f837ca0a\", \"id\": \"23752894\"}--\u003e"},{"_uid":"8739ac21-c89d-4012-9212-7d94cc8ac39e","component":"section_blockquote","blockquote":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"Partners","type":"text"}]}]},"_editable":"\u003c!--#storyblok#{\"name\": \"section_blockquote\", \"space\": \"94107\", \"uid\": \"8739ac21-c89d-4012-9212-7d94cc8ac39e\", \"id\": \"23752894\"}--\u003e"},{"_uid":"1f2bb27e-e9b0-495b-b69a-56aa86678c7f","component":"section_program","program_content":[{"_uid":"7f469048-88bc-49a2-9532-110344a6fb9c","component":"program_day","program_day_content":[{"_uid":"4cb1a8ee-b8bb-440e-b047-0d5a93a453ec","component":"program_item","program_item_time":"","program_item_title":"Villa Wigman für TANZ e.V.","program_item_content":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"The Villa Wigman is the former place of work of the dancer and choreographer Mary Wigman at Bautzner Straße 107 in Dresden. 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for this is the law implementing the directive (EU) 2016/2102 on barrier-free access to the websites and mobile applications of public bodies (Barrierefreie-Websites-Gesetz - BfWebG).","type":"text"}]},{"type":"paragraph","content":[{"text":"HELLERAU is working on reducing barriers and thus creating further access for many people. Identifying barriers, naming them and, if possible, removing them is a long-term process. If you notice any remaining barriers with regard to our website or if you need information on content that is not yet barrier-free, please send us an e-mail. We will try to answer you as soon as possible.","type":"text"}]},{"type":"paragraph","content":[{"text":"barrierefrei@hellerau.org","type":"text","marks":[{"type":"link","attrs":{"href":"barrierefrei@hellerau.org","uuid":null,"anchor":null,"target":"_blank","linktype":"email"}}]}]}]},"_uid":"f5f41fbd-7ec4-42fa-a8d5-372ab976a9b1","component":"section_textarea","_editable":"\u003c!--#storyblok#{\"name\": \"section_textarea\", \"space\": \"94107\", \"uid\": \"f5f41fbd-7ec4-42fa-a8d5-372ab976a9b1\", \"id\": \"27585160\"}--\u003e"}],"component":"page","sub_title":"","meta_title":"Barrierefreiheit","references":[],"preview_image":{"id":null,"alt":null,"name":"","focus":null,"title":null,"filename":"","copyright":null,"fieldtype":"asset"},"meta_description":"TANZPAKT Dresden Barrierefreiheit","_editable":"\u003c!--#storyblok#{\"name\": \"page\", \"space\": \"94107\", \"uid\": \"2dc39639-cc0d-44da-9f8a-1264d177d94f\", \"id\": \"27585160\"}--\u003e"},"slug":"barrierefreiheit","full_slug":"en/accessibility","default_full_slug":null,"sort_by_date":null,"position":-30,"tag_list":["defaultPage"],"is_startpage":false,"parent_id":0,"meta_data":null,"group_id":"f64d680a-417c-41a7-afd9-2e8a20d36cca","first_published_at":null,"release_id":null,"lang":"en","path":null,"translated_slugs":[]}},"footer_navigation_item_title":"Accessibility","_editable":"\u003c!--#storyblok#{\"name\": \"footer_navigation_item\", \"space\": \"94107\", \"uid\": \"5fa37435-6435-4043-b1e6-29867e9dc442\", \"id\": \"22179064\"}--\u003e"},{"_uid":"59a8dd6a-11ba-4ef3-b70e-3667e38e4c79","component":"footer_navigation_item","footer_navigation_item_link":{"id":"028e45fd-c645-41b8-ae6e-4952996668cd","url":"","linktype":"story","fieldtype":"multilink","cached_url":"/en/datenschutz","prep":true,"story":{"name":"Datenschutz","created_at":"2020-11-09T13:12:39.562Z","published_at":"2020-11-16T14:13:22.197Z","alternates":[],"id":26736324,"uuid":"028e45fd-c645-41b8-ae6e-4952996668cd","content":{"_uid":"696ac884-fec7-498c-90c8-486a9a5240a5","title":"Data Protection","sections":[{"rte":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"The TANZPAKT Dresden website can be used without providing any personal data. However, if a person concerned wishes to make use of special services offered by HELLERAU - European Centre for the Arts via our website, it may be necessary to process personal data. If it is necessary to process personal data and there is no legal basis for such processing, we generally obtain the consent of the person concerned.","type":"text"}]},{"type":"paragraph","content":[{"text":"The processing of personal data, such as the name, address, e-mail address or telephone number of a data subject, is always carried out in accordance with the General Data Protection Regulation and in compliance with the country-specific data protection regulations applicable to HELLERAU - European Center for the Arts.","type":"text"}]},{"type":"paragraph","content":[{"text":"HELLERAU - European Center for the Arts, as the data controller, has implemented numerous technical and organizational measures to ensure the most complete protection possible of the personal data processed via this website. Nevertheless, internet-based data transmissions can generally have security gaps, so that absolute protection cannot be guaranteed. For this reason, every person concerned is free to transmit personal data to us by alternative means, for example by telephone.","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Name and Contact Details of the Person Responsible for Processing and of the Company Data Protection Officer","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"This data protection information applies to data processing by ","type":"text"},{"type":"hard_break"},{"text":"Controller: HELLERAU - European Center for the Arts, Stage of the State Capital Dresden, Karl-Liebknecht-Str. 56, D-01109 Dresden, Germany / T +49 0351 264 62 0","type":"text"}]},{"type":"paragraph","content":[{"text":"The company data protection officer of HELLERAU can be contacted at the above address, Attn. Mr. Andreas Gagelmann, or at ","type":"text"},{"text":"datenschutzbeauftragter@dresden.de","type":"text","marks":[{"type":"link","attrs":{"href":"datenschutzbeauftragter@dresden.de","uuid":null,"anchor":null,"target":"_blank","linktype":"email"}}]},{"text":" or by phone at +49 351 488 19 06. ","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Collection and Storage of Personal Data and the Nature and Purpose of Their Use","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"When visiting the website: When you visit our website tanzpakt-dresden.de, the browser used on your terminal device automatically sends information to the server of our website. This information is temporarily stored in a so-called log file. The following information is recorded without your intervention and stored until it is automatically deleted:","type":"text"},{"type":"hard_break"},{"text":"•\tIP address of the requesting computer,","type":"text"},{"type":"hard_break"},{"text":"•\tdate and time of access,","type":"text"},{"type":"hard_break"},{"text":"•\tname and URL of the file accessed,","type":"text"},{"type":"hard_break"},{"text":"•\twebsite from which the access is made (referrer URL),","type":"text"},{"type":"hard_break"},{"text":"•\tbrowser used and, if applicable, the operating system of your computer and the name of your access provider. ","type":"text"},{"type":"hard_break"},{"text":"The above-mentioned data are processed by us for the following purposes:","type":"text"},{"type":"hard_break"},{"text":"•\tto ensure a smooth connection of the website,","type":"text"},{"type":"hard_break"},{"text":"•\tto ensure a comfortable use of our website,","type":"text"},{"type":"hard_break"},{"text":"•\tto evaluate the system security and stability and","type":"text"},{"type":"hard_break"},{"text":"•\tfor other administrative purposes.","type":"text"},{"type":"hard_break"},{"text":"The legal basis for the data processing is Art. 6 para. 1 p. 1 lit. f GDPR. Our legitimate interest follows from the above listed purposes for data collection. Under no circumstances will we use the data collected for the purpose of drawing conclusions about your person.","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Transfer of Data","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"No transfer of your personal data to third parties for purposes other than those listed below will take place.","type":"text"},{"type":"hard_break"},{"text":"We will only transfer your personal data to third parties if:","type":"text"},{"type":"hard_break"},{"text":"•\tyou have explicitly given your consent in accordance with Art. 6 para. 1 sentence 1 lit. a GDPR,","type":"text"},{"type":"hard_break"},{"text":"•\tthe transfer in accordance with Art. 6 para. 1 sentence 1 lit. f GDPR is necessary for the assertion, exercise or defence of legal claims and there is no reason to assume that you have an overriding interest worthy of protection in the non-disclosure of your data,","type":"text"},{"type":"hard_break"},{"text":"•\tin the event that there is a legal obligation to disclose your data in accordance with Art. 6 Para. 1 S. 1 lit. c GDPR, and","type":"text"},{"type":"hard_break"},{"text":"•\tthis is legally permissible and is necessary in accordance with Art. 6 Para. 1 S. 1 lit. b GDPR for the processing of contractual relationships with you.","type":"text"},{"type":"hard_break"},{"type":"hard_break"},{"text":"Embedded Social Media Elements","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"We integrate elements of social media services on our website on the basis of Art. 6 para. 1 p. 1 lit. f GDPR to display pictures, videos and sound files. The advertising purpose behind this is to be regarded as a legitimate interest within the meaning of the GDPR. When you visit pages that display these elements, data is transferred from your browser to the respective social media service and stored there. We have no access to this data.","type":"text"}]},{"type":"paragraph","content":[{"text":"a) YouTube","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"We have embedded YouTube videos into our website, so we can present videos of our artists directly on our site. YouTube is a video portal, which is a subsidiary company of Google since 2006. The video portal is operated by YouTube, LLC, 901 Cherry Ave., San Bruno, CA 94066, USA. When you visit a page on our website that has an embedded YouTube video, your browser automatically connects to the servers of YouTube or Google. Various data is transferred (depending on the settings). Google Ireland Limited (Gordon House, Barrow Street Dublin 4, Ireland) is responsible for all data processing in the European region. ","type":"text"},{"type":"hard_break"},{"text":"In order to be able to display videos on our website, YouTube provides a code snippet that we have embedded on our site. When you visit one of our sites that has a YouTube video embedded, YouTube sets at least one cookie that stores your IP address and our URL. If you are logged in to your YouTube account, YouTube can associate your interactions on our site with your profile, usually by using cookies. This includes information such as session duration, bounce rate, approximate location, technical information such as browser type, screen resolution, or your Internet service provider. If you are not signed in to a Google Account or YouTube account, Google stores information with a unique identifier associated with your device, browser, or app. For example, your preferred language setting is preserved. However, much interaction data cannot be stored because fewer cookies are set.","type":"text"},{"type":"hard_break"},{"text":"The data that YouTube receives and processes from you is stored on Google's servers. Most of these servers are located in America. ","type":"text"},{"type":"hard_break"},{"text":"At ","type":"text"},{"text":"https://www.google.com/about/datacenters/locations/","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.google.com/about/datacenters/locations/","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":" you can see exactly where the Google data centers are located. Your data is distributed on the servers. So the data can be retrieved faster and is better protected against manipulation. Even if you are not signed in to a Google Account, you can delete some data associated with your device, browser or app. ","type":"text"},{"type":"hard_break"},{"text":"If you do not want cookies, you can set your browser to notify you whenever you receive a cookie. So you can decide for each cookie whether you want to allow it or not. Since YouTube is a subsidiary of Google, there is a common privacy policy. If you would like to learn more about the handling of your information, we recommend that you read the privacy policy at ","type":"text"},{"text":"https://policies.google.com/privacy?hl=en","type":"text","marks":[{"type":"link","attrs":{"href":"https://policies.google.com/privacy?hl=en","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":".","type":"text"}]},{"type":"paragraph","content":[{"text":"b) Vimeo","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"We also use videos from Vimeo on our website. The video portal is operated by Vimeo LLC, 555 West 18th Street, New York, New York 10011, USA. With the help of a plug-in, we can display video material of our associated artists directly on our website. Certain data may be transferred from you to Vimeo. ","type":"text"},{"type":"hard_break"},{"text":"When you visit a web page on our website that has a Vimeo video embedded, your browser connects to the Vimeo servers. This results in a data transfer. This data is collected, stored and processed on the Vimeo servers. Whether or not you have a Vimeo account, Vimeo collects information about you. This includes your IP address, technical information about your browser type, operating system, or very basic device information. In addition, Vimeo stores information about which website you use the Vimeo service and what actions (web activities) you perform on our website. These web activities include, for example, session duration, bounce rate, or which button you clicked on our website with a built-in Vimeo function. ","type":"text"},{"type":"hard_break"},{"text":"If you are logged in as a registered member of Vimeo, more data can usually be collected because more cookies may have been set in your browser. In addition, your actions on our website will be directly linked to your Vimeo account. To prevent this, you must log out of Vimeo while you are \"surfing\" our site. ","type":"text"},{"type":"hard_break"},{"text":"Vimeo uses this information to improve its services, to communicate with you, and to implement its own targeted advertising measures. Vimeo emphasizes on its website that only first-party cookies (cookies from Vimeo itself) are used for embedded videos, as long as you do not interact with the video.","type":"text"},{"type":"hard_break"},{"text":"Vimeo is headquartered in White Plains, New York State (USA). However, the services are offered worldwide. The company uses computer systems, databases and servers in the USA and also in other countries. Your data can therefore also be stored and processed on servers in America. The data will remain stored by Vimeo until the company no longer has an economic reason for storing it. Then the data is deleted or made anonymous. Vimeo complies with the EU-U.S. Privacy Shield Framework and is therefore allowed to collect, use and transfer data from users in the EU to the U.S. ","type":"text"},{"type":"hard_break"},{"text":"You always have the option of managing cookies in your browser according to your wishes. For example, if you do not want Vimeo to set cookies and thus collect information about you, you can delete or disable cookies in your browser settings at any time. ","type":"text"},{"type":"hard_break"},{"text":"Vimeo is an active participant in the EU-U.S. Privacy Shield Framework, which regulates the correct and secure transfer of personal data. For more information, please visit ","type":"text"},{"text":"https://www.privacyshield.gov/participant?id=a2zt00000008V77AAE\u0026status=Active","type":"text","marks":[{"type":"link","attrs":{"href":"https://www.privacyshield.gov/participant?id=a2zt00000008V77AAE\u0026status=Active","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":". You can learn more about the use of cookies at Vimeo at ","type":"text"},{"text":"https://vimeo.com/cookie_policy","type":"text","marks":[{"type":"link","attrs":{"href":"https://vimeo.com/cookie_policy","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":". Information about data protection at Vimeo can be found at ","type":"text"},{"text":"https://vimeo.com/privacy","type":"text","marks":[{"type":"link","attrs":{"href":"https://vimeo.com/privacy","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":".","type":"text"}]},{"type":"paragraph","content":[{"text":"c) SoundCloud","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"On our website we use functions (widgets) of the social media network SoundCloud from the company SoundCloud Limited, Rheinsberger Str. 76/77, 10115 Berlin, Germany. You can recognize the widgets by the logo with the orange cloud. ","type":"text"},{"type":"hard_break"},{"text":"When you visit one of our websites that has a widget (like or share button or play function), your browser connects to a SoundCloud server. This allows data from you to be transferred to SoundCloud, managed and stored there. For example, SoundCloud learns your IP address and which page (in this case ours) you visited and when. If you have a SoundCloud account and are logged in while browsing our website, the collected data is directly assigned to your account. You can only prevent this by logging out of SoundCloud while you are on our website. In addition to the information mentioned above, the cookies also store data about your user behavior. For example, whenever you click a button, play or pause a song, this information is stored in the cookies. The widget or SoundCloud is thus able to recognize you and sometimes the widget is also used to deliver personalized content to you. SoundCloud not only uses its own cookies, but also cookies from third party providers such as Facebook or Google Analytics. These cookies help the company to get more information about your behavior on external websites and its own platform. We as website operators do not receive any information about your user behavior through the cookies used by SoundCloud. The data transfer and therefore also the information about technical devices and your behavior on the website takes place between you and SoundCloud.","type":"text"},{"type":"hard_break"},{"text":"In principle, the data collected remains stored at SoundCloud as long as a user account exists or it is necessary for SoundCloud to achieve its business objectives. How long exactly is stored changes depending on the context and legal obligations. Even if you do not have an account and personal data has been stored, you have the right to request data deletion. ","type":"text"},{"type":"hard_break"},{"text":"If you want to learn more about SoundCloud's privacy policy and the general handling of data by SoundCloud, we recommend you read the company's privacy policy at ","type":"text"},{"text":"https://soundcloud.com/pages/privacy","type":"text","marks":[{"type":"link","attrs":{"href":"https://soundcloud.com/pages/privacy","uuid":null,"anchor":null,"target":"_blank","linktype":"url"}}]},{"text":".","type":"text"}]},{"type":"paragraph","content":[{"text":"Rights of Data Subjects","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"You have the right:","type":"text"},{"type":"hard_break"},{"text":"•\tto request information about your personal data processed by us in accordance with Art. 15 of the GDPR. In particular, you may request information on the purposes of processing, the category of personal data, the categories of recipients to whom your data has been or will be disclosed, the planned storage period, the existence of a right of rectification, cancellation, limitation of processing or opposition, the existence of a right of appeal, the origin of your data, if not collected by us, as well as the existence of automated decision making including profiling and, if applicable ","type":"text"},{"type":"hard_break"},{"text":"•\tto demand, in accordance with Art. 16 GDPR, the immediate correction of incorrect or incomplete personal data stored by us;","type":"text"},{"type":"hard_break"},{"text":"•\tto demand the deletion of your personal data stored with us in accordance with Art. 17 GDPR, unless the processing is necessary to exercise the right to freedom of expression and information, to fulfill a legal obligation, for reasons of public interest or to assert, exercise or defend legal claims;","type":"text"},{"type":"hard_break"},{"text":"•\tin accordance with Art. 18 GDPR to demand the restriction of the processing of your personal data, as far as the correctness of the data is disputed by you, the processing is unlawful, but you refuse its deletion and we no longer need the data, but you need it for the assertion, exercise or defence of legal claims or you demand it according to Art. 21 GDPR, you have lodged an objection to the processing;","type":"text"},{"type":"hard_break"},{"text":"•\tin accordance with Art. 20 GDPR, to receive your personal data that you have provided us with in a structured, common and machine-readable format or to request that it be transferred to another person responsible;","type":"text"},{"type":"hard_break"},{"text":"•\tin accordance with Art. 7 Para. 3 GDPR, to revoke the consent you have given us at any time. As a result, we are no longer allowed to continue data processing based on this consent in the future and","type":"text"},{"type":"hard_break"},{"text":"•\tin accordance with Art. 77 GDPR to complain to a supervisory authority. As a rule, you can contact the supervisory authority of your usual place of residence or workplace or our office for this purpose.","type":"text"}]},{"type":"paragraph","content":[{"text":"Right to Object","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"If your personal data is processed on the basis of legitimate interests pursuant to Art. 6 Paragraph 1 S. 1 letter f GDPR, you have the right, pursuant to Art. 21 GDPR, to object to the processing of your personal data if there are reasons for doing so that arise from your particular situation or if the objection is directed against direct advertising. In the latter case, you have a general right of objection, which will be implemented by us without specifying a specific situation. If you wish to exercise your right of objection or cancellation, simply send an e-mail to ","type":"text"},{"text":"info@hellerau.org","type":"text","marks":[{"type":"link","attrs":{"href":"info@hellerau.org","uuid":null,"anchor":null,"target":"_blank","linktype":"email"}}]},{"text":".","type":"text"}]},{"type":"paragraph","content":[{"text":"Data Security","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"We use appropriate technical and organizational security measures to protect your data against accidental or intentional manipulation, partial or complete loss, destruction or unauthorized access by third parties. Our security measures are continuously improved in line with technological developments.","type":"text"}]},{"type":"paragraph","content":[{"text":"Up-To-Dateness and Amendments of This Data Protection Declaration","type":"text","marks":[{"type":"italic"}]},{"type":"hard_break"},{"text":"This data protection declaration is currently valid and has the status of November 2020.","type":"text"},{"type":"hard_break"},{"text":"It may become necessary to amend this data protection declaration as a result of the further development of our website and offers above or due to amended legal or official requirements. The current data protection declaration can accessed and printed out at any time on the website.","type":"text"}]}]},"_uid":"1292bce1-3944-4bb7-b566-f72c4cdf1bba","component":"section_textarea","_editable":"\u003c!--#storyblok#{\"name\": \"section_textarea\", \"space\": \"94107\", \"uid\": \"1292bce1-3944-4bb7-b566-f72c4cdf1bba\", \"id\": \"26736324\"}--\u003e"}],"component":"page","sub_title":"","meta_title":"Datenschutz","references":[],"preview_image":{"id":null,"alt":null,"name":"","focus":null,"title":null,"filename":"","copyright":null,"fieldtype":"asset"},"meta_description":"TANZPAKT Dresden Datenschutz","_editable":"\u003c!--#storyblok#{\"name\": \"page\", \"space\": \"94107\", \"uid\": \"696ac884-fec7-498c-90c8-486a9a5240a5\", \"id\": \"26736324\"}--\u003e"},"slug":"datenschutz","full_slug":"en/dataprotection","default_full_slug":null,"sort_by_date":null,"position":0,"tag_list":["defaultPage"],"is_startpage":false,"parent_id":0,"meta_data":null,"group_id":"32f04a49-4536-4ebe-993f-07b1a0950e1d","first_published_at":null,"release_id":null,"lang":"en","path":null,"translated_slugs":[]}},"footer_navigation_item_title":"Data Protection","_editable":"\u003c!--#storyblok#{\"name\": \"footer_navigation_item\", \"space\": \"94107\", \"uid\": \"59a8dd6a-11ba-4ef3-b70e-3667e38e4c79\", \"id\": \"22179064\"}--\u003e"},{"_uid":"f8dac936-d17b-4f28-b2df-cfd8dd8707e0","component":"footer_navigation_item","footer_navigation_item_link":{"id":"009b13fc-bc2d-4efb-b1c7-c9767406e243","url":"","linktype":"story","fieldtype":"multilink","cached_url":"/en/impressum","prep":true,"story":{"name":"Impressum","created_at":"2020-11-13T20:04:34.466Z","published_at":"2020-11-16T14:21:19.980Z","alternates":[],"id":27434284,"uuid":"009b13fc-bc2d-4efb-b1c7-c9767406e243","content":{"_uid":"f3402e3a-2664-4941-98db-2e639a4b59c2","title":"Legal Notice","sections":[{"rte":{"type":"doc","content":[{"type":"paragraph","content":[{"text":"TANZPAKT Dresden was a joint project of Villa Wigman e.V. and HELLERAU - 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